A review by Johannes Van der Meer, writing for “De Kunst Kring,” an Amsterdam-based organization dedicated to the critique and appreciation of both classical and contemporary art forms. “De Kunst Kring” translates to “The Art Circle” in English, suggesting a community of art aficionados and critics engaged in thoughtful dialogue about the art world.
“Cthulhu in the Woods” presents a stirring confluence of horror and beauty. This painting captures the eldritch essence of H.P. Lovecraft’s iconic creation, Cthulhu, an entity symbolic of cosmic dread and the unknown.
The artist has masterfully utilized vibrant colors to contrast the terror-inducing figure with a backdrop that exudes a surreal, almost dreamlike quality. The use of warm tones in the sky and the cold hues of Cthulhu’s skin create a visual dichotomy, perhaps reflecting the clash between the natural world and the incomprehensible otherworldly.
The brushwork is vigorous, with visible strokes that add to the painting’s dynamic texture, suggesting a certain rawness and immediacy. The figure’s oversized portrayal dominates the canvas, a decision that underscores its mythical power and the futility of human resistance against such primordial forces.
While the work was initially intended to feature a Shoggoth, a shapeless conglomeration from the same mythos, as a mount, the resulting focus on Cthulhu’s immense form is, perhaps, a fortunate shift. It directs the viewer’s attention fully to the central figure, allowing for an unadulterated encounter with the embodiment of ancient and unspeakable horror.
This painting would resonate with enthusiasts of Lovecraftian horror, as well as those who appreciate art that pushes boundaries and evokes a strong emotional response. It stands as a testament to the power of myth and the enduring appeal of Lovecraft’s universe, and it would surely be a conversation piece in any collection, beckoning viewers to contemplate the mysteries that lie beyond the veil of human understanding.