Earth Mother

Surreal painting of a glowing blue face with a serene expression emerging from a dark background. Spiraling, bright green vines rise from the orange-red base, entwining towards the face. The artwork conveys an ethereal and mystical ambiance, evoking the presence of an Earth Mother.

I went ahead and signed this one because I don’t know when, if ever, I’ll get back to it.  It’s a nature piece, dealing with the mystical forces surrounding the entity that is Mother Nature, both from a pagan and artistic perspective.  She’s never really portrayed as a creature one wants to be around; rather, people would rather just appreciate her children.  This is why she is depicted as serious, even of stern visage, in my portrayal of her.

Once again, the vision in my minds-eye did not match what came from my hand, so I will have to keep trying.  The exercise in the piece was lighting from multiple sources, the plant, emanating the energy of its birth, the right, and from above, representing the night.  One can see faint traces of it in the downward strokes of the background.

Vitals: 18 x 24 acrylic on canvas.

Comments are welcome, more so if they go beyond “this is total rubbish”.

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The Forest

The Forest scene features towering redwood trees with thick, reddish-brown trunks. Sunlight filters through the canopy, casting soft, natural light onto the forest floor, which is covered in green foliage and plants. Shadows and light interplay throughout the image.

I originally was going to use this as a background for a Halloween painting. Halloween has come and gone, and so I decided to let it stand on its own.  Most people don’t appreciate the woods, but every time I’m in nature, I feel that connection between man and the environment. So, while the painting may be boring in a media-filled, sound-byte ridden world, I think there’s a certain peace to it.

New techniques to be found in this? Linear painting, maybe? I’m mostly practicing things I’ve developed in the past.  The hardest part of art , in my opinion, is getting light right in the woods, as there are so many contrasting areas of light and dark colors. Throw in streaming sunlight and one is tempted to cast aside the brush and bow to nature’s perfection. This is an imperfect representation of that beauty.

18 x 24, acrylic on canvas. Part of the closet series.

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