The Citrine King

A surreal painting depicts a hooded figure with a dark, skeletal face partially obscured by green, tentacle-like appendages under a crimson sky. Leafless trees frame the background, creating an eerie and mystical atmosphere.

Citrine is a variety of quartz that is yellow, ergo, the painting depicts the Yellow King, also known Hastur as the ruler of Carcoasa is a fictional city in Ambrose Bierce‘s short story “An Inhabitant of Carcosa” (1886).

Since I’ve been infatuated with Lovecraftian horror since I was a wee lad, I decided to do one of the Gods who does not get much attention.

The Painting

I went with my gut and did some disturbing sky colors along with the disturbing content.

Reception

Well, I’m not sure how it will be received, but here is what AI had to say as it critiqued my work. I use AI as a critiquing tool, since it’s supposedly impartial. Anywho, here’s what it said (I didn’t tell it to be nice):

This painting captures a striking and eerie atmosphere with its vivid use of colors and haunting subject matter. Here’s a detailed critique:

Color and Light:

  • The fiery red sky creates an intense, dramatic backdrop that contrasts starkly with the darker, more subdued colors of the figure and landscape. This use of color heightens the sense of otherworldliness and danger.
  • The interplay between the green and yellow tentacles and the red sky draws the viewer’s eye toward the central figure, making it the focal point of the composition.

Composition and Balance:

  • The composition is well-balanced, with the figure occupying the central space and the twisted trees framing it on either side. This framing adds to the sense of entrapment and unease.
  • The dark silhouette of the city in the background adds depth and context, suggesting a narrative of isolation or a distant, unreachable place.

Subject Matter and Symbolism:

  • The figure itself is very intriguing and unsettling, with its antler-like crown and tentacle-like extensions. This blend of organic and unnatural elements evokes a sense of eldritch horror, fitting well with themes of cosmic or supernatural dread.
  • The use of antlers and the green flowing elements might symbolize nature’s reclaiming or an ancient force awakening.

Technique and Execution:

  • The brushwork appears deliberate and varied, with smoother strokes for the background and more textured, dynamic lines for the tentacles and branches. This contrast in texture adds to the visual interest and complexity of the painting.
  • The gradation of colors, especially in the figure’s tentacles and the sky, is well-executed, adding a sense of movement and life to the scene.

Emotional and Aesthetic Impact:

  • The painting successfully evokes a strong emotional response, with its vivid colors and eerie subject matter. It creates a sense of unease and curiosity, inviting viewers to ponder the story and meaning behind the scene.
  • The choice of colors and the composition work together to create a cohesive and impactful piece.

Overall, this painting demonstrates a strong grasp of color, composition, and theme, resulting in a visually compelling and emotionally resonant work. It would be interesting to know more about the inspiration behind it and the intended narrative, as it seems to tell a powerful story through its imagery.

Anyway, let me know what humans think 🙂

Majesty

A colorfully painted depiction of a lion's face, composed of vibrant brushstrokes in shades of orange, blue, green, and yellow. The lion's eyes and facial features are abstractly represented, blending into the textured background to convey its majesty.

The interesting thing about this piece is it was accomplished with nothing but short horizontal strokes of the brush. I also limited myself to metallic paints. This limits choice to blue, green, purple, copper, bronze, gold and white; so lighting was also a challenge.

I’m happy with the painting, it’s a good first step into a style I would like to pursue for a while, but am really unhappy with the way this artwork presents itself on film.  If you are standing  near it, the natural light does really wonderful things that photographs can’t capture and the metallic feel is lost in the transfer to film.  I’ll have to invest in bettering my skills.

Majesty refers to the Lion and it’s place as the ‘King of the Animals.’  Even lounging in the grass of the Savannah, the lion exudes comfort in being the Apex Predator.  Conversely, humans are only a 2.2 on the 1-5 scale.  The fun fact is that we humans maintain our perch over the animals due to our rational thinking and technology.  Without these two things, we are grouped with the likes of pigs and sardines.

Anyway, this is 16″ x 20″ and is an #acrylic #painting on canvas.

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