New Plan – Run

Silene had known this wasn’t going to be easy. Their kingdom had been plagued by a fire-spewing dragon dwelling in a nearby cave / pond, poisoning the countryside. To prevent it from affecting the city itself, the people offered it two sheep daily, then a man and a sheep, and finally their children and youths, … Read more

Mary and the Last Sinner

A painting of Mary with long curly hair wearing a pink dress with ruffles, and a halo above her head. She faces a large, menacing purple dragon with glowing yellow eyes and sharp teeth, emerging from dark, swirling shadows behind her. The scene captures the tense moment from "Mary and the Last Sinner.

I had an entire long post ready to go but thanks to an app crash, I’ll give you the highlights.

I wasn’t going to share this painting. I didn’t think it worthy, but people started to like it, so, here we are.

There’s two themes going on here. First, there’s a piece of Papayrus at Harvard (this is not the Dan Brown / Da Vinci Code angle) that has a line where Jesus calls Mary Magdalene “my Wife”. Imagine that? Going from fallen prostitute to the equal (or better than, in the words of Paul) of Jesus. The documentary I watched “The Gospel of Mary“, started the ball rolling on this idea. I was originally going to paint just her.

As an aside, and from a historical perspective since I’m not religious (there’s a long story involving an ex-wife that caused me to be like the hit R.E.M song with God), I’m fascinated by what got in the Bible, what got left out (Gnosticism, Council of Nicea, etc.), and the power-plays that took place to put down Mary (labeling her a prostitute). So painting this had a lot to do with egalité, as the French would say.

Next I came across a Mark Twain quote that made me pause:

“But who prays for Satan? Who, in eighteen centuries, has had the common humanity to pray for the one sinner that needed it most?

I thought, “who better to bring the word of God to the first and last sinner?” So I had Mary confronting the great vvrym and closing the loop on this Christianity thing – a denouement of sorts, but without the 80’s soundtrack.

The painting had a working title of “Prom Dress Mary and the Pompadour (fixed) Dragon“. That title should explain why I wasn’t going to post it at first. Anyway, here it is.

Legacy of the Viking

A textured painting with a bronze dragon at the center, set against a blue background with swirling red, gold, and brown splatters. Symbols resembling animals and celestial figures enhance its mythical quality, evoking the spirit of the Legacy of the Viking in an abstract form.

This #painting was inspired by my fascination with #Viking culture. The whole concept of living day to day not knowing whether it was going to be your last seems so much more exciting than being assured  you are getting up today, tomorrow, and the next day, with the firm realiziation that you will be doing PowerPoint or some other banal thing to pay divorce debt. But I digress…


Viking culture, it’s loud, in your face, mystical, even… primal. The #dragon is central to this culture. Níõhöggr, a dragon in the Völuspá; Jörmungandr, the #Midgard Serpent, who will begin #Ragnarök; Fáfnir, of the Völsung Cycle and the Drekki in the Gesta Danorum, are examples of wyrms  that litter #Norse literature and theology.


This artwork is inspired by Norse jewelry design. It also serves as a proof of concept for a path I want to follow; combining manuscript illumination, 3D design, other elements of the Dark Ages… and #cake #decorating.

The composition is mixed media. Really, it’s mostly acrylic paint on canvas, but given depth through the use of gels and such. I also used a spare icing thingy I had laying around. What can I say? Cutting edge?


Anyway, I hope you like it. I’ve taken several types of photos in different light to show off its metallic character. I used a piece of broken blue glass for the eye. In future art, I’m going to use gems and stones and whatnot to give it a Medieval feel.

16×20. It’s for sale.