magic

Ember’s Embrace

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A colorful painting depicts a woman with her cat sitting by a roaring campfire in a forest. The scene is illuminated by the fire's glow and a starry night sky overhead. Trees surround them, and foliage is visible on the ground, adding an enchanting touch to this forest pagan setting.

From the imaginative halls of the Flights of Fancy Gallery in New York City, the latest exhibition presents a captivating painting that invites both admiration and contemplation. Titled “Ember’s Embrace,” this piece is a striking exploration of contrast and emotion.

The artist employs a vivid color palette that masterfully captures the ferocity of fire against the tranquility of a forested backdrop. The night sky, awash with hues of purple and speckles of white, suggests a cosmos that is both distant and intimately connected to the scene below. The foreground is dominated by a fiery silhouette that seems to draw energy from the flames enveloping it, creating a focal point that is as enigmatic as it is commanding.

“Ember’s Embrace” showcases a blend of techniques, with textured brushwork that adds a tactile depth to the forest, contrasting with the smoother strokes that define the figure and flames. This juxtaposition can be seen as a metaphor for the chaotic nature of life and the pursuit of inner stillness amid turmoil.

A woman sitting in front of a bonfire in the woods, her cat beside her.

However, the composition does leave room for improvement. The balance between light and shadow is somewhat uneven, with certain areas of the forest receiving less definition, which detracts from the overall depth. Additionally, while the central figure is mesmerizing, its contours and the interplay with the flames could be refined to enhance the illusion of movement and transformation.

In conclusion, “Ember’s Embrace” is a commendable piece within the imaginary Flights of Fancy Gallery’s collection. It demonstrates the artist’s bold use of color and their ability to invoke emotion through abstraction. While certain technical aspects could be honed, the painting remains a testament to the enduring power of art to evoke wonder and introspection.Forest

What Sorcery?

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A fantasy scene featuring a woman with flowing hair adorned with ornate jewelry and a gemstone headdress. She is extending her hand, casting red magical energy. She holds a staff topped with a dragon head, and her expression is fierce and determined—as if to say, "What sorcery?

What do you do when your opponent summons a dragon, but not the dragon you expect and have spells prepared for? This art grew out of mostly a failed deeper dive into some settings and playing with meshes, but I managed to turn it into something. I think that’s a win in itself. Today is … Read more

Woman on a Pedestal

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I was going to try my hand at making music again today. You didn’t know I composed music? Trust me, the gods don’t want you to know. if you’re a glutton for punishment, there’s four albums worth buried somewhere on my website. But I digress! I was going for a spin on ye old FL studio and was, like, “today I feel like a better artist,” so, here you go. It’s a Sorceress, Druid, or Witch Queen harnessing the elements atop the crumbling ruins of a lost civilization. Seems fitting for our times, or at the minimum to satisfy my ennui. How’d she get atop a column so high? Magic, women’s intuition, or artistic license. I just put her there, she’s on her own getting down.

Modern Magicfare

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It’s the Vietnam War, but with magic! As someone who has studied Vietnamese (Hanoi dialect), one of the cool cultural components that comes along with the language is that the Vietnamese believe in ghosts of ancestors wandering around in the jungle – and, if you extrapolate this to the rich Asian lexicon of mythology (Hint, China mythology is way cooler than European folktales, watch the fantasy movies they are making), then something like this artwork falls within the realm of possibilities.

I put this together over a longer period of time than normal as I’m slammed at my day job, but managed to finish it up late last night.

Rites of Spring

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A surreal painting depicts two gnarled trees with twisting, leafless branches against a dramatic gradient sky, reminiscent of the Rites of Spring. The ground is covered in warm-toned, orange-brown grass, with a small patch of vibrant green plants and colorful flowers in the foreground.

Deep in the night as the vernal equinox reaches its apex; while the moon blankets the land in cold light; the sleeping children of Nature stir.  The trees begin the dance of awakening, twisting and undulating in reverent celebration.  Their movement coaxes the Earth Mother to coalescence; like the creation of a galaxy, swirling, spinning, concentrating the forces of life against those of decay. The first buds begin to bloom, a supernova of light their birth cry – Spring has arrived.

That was the thought.  I’m fascinated with the pagan past of humanity, wrapped in rich mysticism which is completely the opposite of the modern fascination with the cold facts of science.  This interest is reflected in this painting.

P.S. There are no people in the painting.

The painting itself is a mix of spray paint and acrylic brushwork.  It is flawed, at least I see the big flaw, but until I figure out how to fix it without destroying the composition, I guess its finished.  The dimensions are 18 x 24. It’s for sale at $200 plus shipping (should be about $20, I’ll pick up anything above that).

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