Rites of Spring

A surreal painting depicts two gnarled trees with twisting, leafless branches against a dramatic gradient sky, reminiscent of the Rites of Spring. The ground is covered in warm-toned, orange-brown grass, with a small patch of vibrant green plants and colorful flowers in the foreground.

Deep in the night as the vernal equinox reaches its apex; while the moon blankets the land in cold light; the sleeping children of Nature stir.  The trees begin the dance of awakening, twisting and undulating in reverent celebration.  Their movement coaxes the Earth Mother to coalescence; like the creation of a galaxy, swirling, spinning, concentrating the forces of life against those of decay. The first buds begin to bloom, a supernova of light their birth cry – Spring has arrived.

That was the thought.  I’m fascinated with the pagan past of humanity, wrapped in rich mysticism which is completely the opposite of the modern fascination with the cold facts of science.  This interest is reflected in this painting.

P.S. There are no people in the painting.

The painting itself is a mix of spray paint and acrylic brushwork.  It is flawed, at least I see the big flaw, but until I figure out how to fix it without destroying the composition, I guess its finished.  The dimensions are 18 x 24. It’s for sale at $200 plus shipping (should be about $20, I’ll pick up anything above that).

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Alien Flower

An abstract vision of what an alien flower would look like.  This is an acrylic on canvas painting.  I used air-duster cans, some brush and gravity/splatter techniques in the composition of the artwork.  18 x 24, 2016.

Alien Flower

The view from straight on.

Alien Flower Side

A side-view, which shows the textures used in the piece.

 

First Contact

A vibrant painting depicts a person in a spacesuit with a helmet visor. The figure is lit with red, yellow, and green hues against a dark, starry background with abstract blue and purple patterns, evoking the sense of First Contact in deep space.

‘First Contact’.  I took a better resolution photo than what is probably on my social media sites.  This is 24MP vs. 8MP. It’s #acrylic on #canvas #artwork.  I experimented with #airbrush in the beginning, but don’t have the special #paint (more finely ground than standard acrylics), and so I went back to the brush.  It’s a sign I need a rich patron. The #art is #forsale, along with everything else.  This particular piece of #fineart will set you back $648 plus shipping.

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The Path and the Process

I suppose I should talk a little bit about my process.  Every artist goes about her or his projects in a different way.  Most will sketch whatever comes to mind and come back to it later.  For me, I don’t use sketch books.  My ideas usually hit me either when I’m out getting some exercise … Read more

Tying It All Together

I’m always practicing new techniques. This was an attempt at capturing the vision of running water through a forest.  The cool thing about practice, is that a piece can turn out horrendous, absolutely beautiful or somewhere in between, but it doesn’t matter.  I’ve already professed a love of nature, and have been trying to improve … Read more

Abstract Art

As I post this, I have been on a viewing tour of the art museums in Baltimore and Washington DC.  Apparently, I was subconsciously impressed by what I saw in the abstract collections. I’ve done several works in the abstract vein as a result; drawing upon the likes of Gauguin, Seurat, Van Gogh and Cézanne … Read more

“Woman at (a) Table”

“Woman at (a) Table” is a work inspired by a photograph I found on Getty Images. I wasn’t looking specifically to paint her, I forget what I was actually looking for, but I fell in love with the image. The problem? I couldn’t find it again. It took two days to locate it using the … Read more

Abstract Art “A Place at the Table”

Abstract painting featuring a mix of warm hues and textured brushstrokes. The top section displays a blend of orange and yellow tones with linear scratches, while the bottom section showcases rich, layered reds, oranges, and purples with visible paint textures and marks.

(Click me, I get bigger) “A Place at the Table” was the result of several synergistic forces. My girlfriend and I had been discussing abstract art after visiting galleries in New York and Washington, DC. She suggested that I give it a try. The problem was that I didn’t have a subject. On an unrelated … Read more