Nestled in the hills overlooking the sleepy valley, the Sandmen of Castle Dream-guard keep watch on the distance. For in the far-off mists the armies of the nightmare realm gather for their nefarious purposes.
The castle is modeled on my favorite, Lichtenstein Castle.
Spray Paint and Acrylic on Canvas, 18 x 24. Unframed. Available for purchase here.
“Harvest Knights” Acrylic and Spray Paint on Canvas, 18 x 24. Deep in the night, under the blood moon a pair of knights rush along a deserted road, past ruins of long forgotten folk towards an urgent engagement. At least that’s the idea. The skills never match the concept.
Deep in the night as the vernal equinox reaches its apex; while the moon blankets the land in cold light; the sleeping children of Nature stir. The trees begin the dance of awakening, twisting and undulating in reverent celebration. Their movement coaxes the Earth Mother to coalescence; like the creation of a galaxy, swirling, spinning, concentrating the forces of life against those of decay. The first buds begin to bloom, a supernova of light their birth cry – Spring has arrived.
That was the thought. I’m fascinated with the pagan past of humanity, wrapped in rich mysticism which is completely the opposite of the modern fascination with the cold facts of science. This interest is reflected in this painting.
P.S. There are no people in the painting.
The painting itself is a mix of spray paint and acrylic brushwork. It is flawed, at least I see the big flaw, but until I figure out how to fix it without destroying the composition, I guess its finished. The dimensions are 18 x 24. It’s for sale at $200 plus shipping (should be about $20, I’ll pick up anything above that).
This one comes straight from depression. I call it ‘The Murder’, if you know your object quantifiers, you’ll figure it out. It’s a combination #spray #paint and #acrylic brushwork on #canvas. It’s also part of my #light series. I think I’ll probably go back and do some touch-ups. The camera didn’t catch the depth of color; I regret that.
I would have gone with, ‘Crows Observe the Dawn’, but it didn’t have that echo to it. I was painting through a period of things not going my way. Music during the painting process was #Faun – particularly the song “Ero Escuro.”
Firefly is a 36″ x 48″ 3D sculpture / painting utilizing acrylic paint, multiple canvases, mirrors, LED lighting (Solar or electrical power) tissue wrap paper, model railroad foliage (branches) and fake grass. Evocative of a Midsummer Night, this piece draws on unconventional landscape effects to bring the composition to life. This is for sale. I’m asking $999.00. It may seem like a lot, but it allows me to eat and create art in an expensive area.
An abstract vision of what an alien flower would look like. This is an acrylic on canvas painting. I used air-duster cans, some brush and gravity/splatter techniques in the composition of the artwork. 18 x 24, 2016.
The view from straight on.
A side-view, which shows the textures used in the piece.
‘First Contact’. I took a better resolution photo than what is probably on my social media sites. This is 24MP vs. 8MP. It’s #acrylic on #canvas #artwork. I experimented with #airbrush in the beginning, but don’t have the special #paint (more finely ground than standard acrylics), and so I went back to the brush. It’s a sign I need a rich patron. The #art is #forsale, along with everything else. This particular piece of #fineart will set you back $648 plus shipping.
Greetings and ‘Happy 2016’; although it’s almost March. I apologize for not keeping up the website as diligently as I have social media (facebook.com/robscanvas). However, I have spent the morning updating, re-categorizing pages, adding art, and other web-mastery things. I believe I have all of the kinks out, but don’t quote me on that. There are many new additions in the catacombs of this virtual gallery, so take a look around – but don’t get lost.
I suppose I should talk a little bit about my process. Every artist goes about her or his projects in a different way. Most will sketch whatever comes to mind and come back to it later. For me, I don’t use sketch books. My ideas usually hit me either when I’m out getting some exercise … Read more
I’m finding it challenging to overcome a a certain aspect of painting. I’m not sure about other artists, but backgrounds are my problem. I’m not saying they’re challenging in that they are hard to paint, rather, that I find that I paint them in a way that I’m hesitant to alter them with what is … Read more