This is ostensibly about the cycle of man vs nature. At least that’s the story I’m sticking to. It’s gouache and acrylics on canvas 18×24. Once I’ve put a coat of protectant on it, I’ll list it for sale.

This is ostensibly about the cycle of man vs nature. At least that’s the story I’m sticking to. It’s gouache and acrylics on canvas 18×24. Once I’ve put a coat of protectant on it, I’ll list it for sale.

The battle was over, dead littering the landscape, their prized possessions of war adrift like so much flotsam. Now the feeding would begin, human problems dissolving into sustenance for natures favored creatures. This was nothing to crow about, but it is my current computer background. Never AI.
The genesis of this digital artwork is a couple things. First, I worked on it right after watching the Netflix documentary about Elisa Lam and the tragedy at the Cecil Hotel in L.A. This isn’t about her though, no connection, unless you want it to be a positive one. No cyber bullying, like what happened to Morbid. I’ve also done rooftop art scenes in the past, so it may be a theme of mine. Finally, the challenge was to make a realistic looking city without building all the city resources – which would tank my rig. I took the cheap way and created a 2D primitive with a city picture I found on Pinterest. The next challenge was to bring about a 3D feel, while getting the visual angles vis-a-vis the camera correct, and integrating the background with what’s going on in the foreground. After that hurdle, I had to get the ambient lighting of a rooftop correct. So, there’s the moon, the city below, the towers above with their red-lights, random rooftop lighting, etc., in order to bring it all together. Let me know what you think?

Humans don’t think the animal world gets along, but that’s just what they want us to think since we’re the most violent species on the planet. Here, a hidden photo, smuggled at great lengths, shows crows attempting to convey the experience of flight to mice. Don’t hate, one day I will be gone and the value of this digital painting will double, to approximately 0.00 cents. But, if it made you smile it’s value will be infinite.

This is nothing to crow about. It’s an abstract doodle about a Corvid looking through a keyhole. Outside, worlds abound, so why is the crow inside? Eye don’t know.

My first finger-painting since the third grade. I’ve always wondered how effective it would be. The answer? For a guy with big fingers, I can’t get any detail. I’m going back to brushes for the next one, but it was fun to ‘roll around in the mud’, if you will, and stretch my wings.
As I’ve said, no brush touched this canvas. It looks like it, right? The story, a raven soars in the evening sky, trees below and a gibbous moon riding high in the sky, illuminating it’s coat as it searches for a throne upon which to perch… or something like that.
Acrylic finger-painting on canvas (good thing its not the Middle Ages, where this stuff was not cheap). Comments welcome, I have mostly thick-skin 🙂

‘Gathering of Souls’: People once believed that when someone dies in battle, a raven flies at dusk to carry their soul to the land of the dead.
This is a rescue painting. Originally it was going to be a geometric design based on the Old Futhark rune for prosperity, which looks like an angular version of those ‘support x’ magnets you see on the back of cars. It would have been entitled “The Tree of Othala”, which is the name of the rune.
Unfortunately, I’m not Cezanne and kind of messed up; so I went in another direction.
I can do better but I wanted to show that not everything we do as artists is that great. Still, I’m curious as to thoughts on it?
