Harvest Knights

A surreal painting depicts a vibrant, oversized orange moon against a pink and purple sky. In the foreground, a lush landscape with tall, dark trees and dense foliage evokes the Rites of Spring. A small arched bridge crosses a tranquil stream, with mysterious ruins to the right.

“Harvest Knights” Acrylic and Spray Paint on Canvas, 18 x 24. Deep in the night, under the blood moon a pair of knights rush along a deserted road, past ruins of long forgotten folk towards an urgent engagement. At least that’s the idea. The skills never match the concept.

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Rites of Spring

A surreal painting depicts two gnarled trees with twisting, leafless branches against a dramatic gradient sky, reminiscent of the Rites of Spring. The ground is covered in warm-toned, orange-brown grass, with a small patch of vibrant green plants and colorful flowers in the foreground.

Deep in the night as the vernal equinox reaches its apex; while the moon blankets the land in cold light; the sleeping children of Nature stir.  The trees begin the dance of awakening, twisting and undulating in reverent celebration.  Their movement coaxes the Earth Mother to coalescence; like the creation of a galaxy, swirling, spinning, concentrating the forces of life against those of decay. The first buds begin to bloom, a supernova of light their birth cry – Spring has arrived.

That was the thought.  I’m fascinated with the pagan past of humanity, wrapped in rich mysticism which is completely the opposite of the modern fascination with the cold facts of science.  This interest is reflected in this painting.

P.S. There are no people in the painting.

The painting itself is a mix of spray paint and acrylic brushwork.  It is flawed, at least I see the big flaw, but until I figure out how to fix it without destroying the composition, I guess its finished.  The dimensions are 18 x 24. It’s for sale at $200 plus shipping (should be about $20, I’ll pick up anything above that).

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The Path and the Process

I suppose I should talk a little bit about my process.  Every artist goes about her or his projects in a different way.  Most will sketch whatever comes to mind and come back to it later.  For me, I don’t use sketch books.  My ideas usually hit me either when I’m out getting some exercise … Read more

Tying It All Together

I’m always practicing new techniques. This was an attempt at capturing the vision of running water through a forest.  The cool thing about practice, is that a piece can turn out horrendous, absolutely beautiful or somewhere in between, but it doesn’t matter.  I’ve already professed a love of nature, and have been trying to improve … Read more

“Woman at (a) Table”

“Woman at (a) Table” is a work inspired by a photograph I found on Getty Images. I wasn’t looking specifically to paint her, I forget what I was actually looking for, but I fell in love with the image. The problem? I couldn’t find it again. It took two days to locate it using the … Read more