I did this after a frustrating day of looking for a job. It was a Camus-like experience that could only be explained with existential randomness; so I figured “why not?” The true artists were my power tools.
Thoughts and comments welcome.
Firefly is a 36″ x 48″ 3D sculpture / painting utilizing acrylic paint, multiple canvases, mirrors, LED lighting (Solar or electrical power) tissue wrap paper, model railroad foliage (branches) and fake grass. Evocative of a Midsummer Night, this piece draws on unconventional landscape effects to bring the composition to life. This is for sale. I’m asking $999.00. It may seem like a lot, but it allows me to eat and create art in an expensive area.
An abstract vision of what an alien flower would look like. This is an acrylic on canvas painting. I used air-duster cans, some brush and gravity/splatter techniques in the composition of the artwork. 18 x 24, 2016.

The view from straight on.

A side-view, which shows the textures used in the piece.
‘First Contact’. I took a better resolution photo than what is probably on my social media sites. This is 24MP vs. 8MP. It’s #acrylic on #canvas #artwork. I experimented with #airbrush in the beginning, but don’t have the special #paint (more finely ground than standard acrylics), and so I went back to the brush. It’s a sign I need a rich patron. The #art is #forsale, along with everything else. This particular piece of #fineart will set you back $648 plus shipping.

I’m waiting for paint to dry so I decided to do a tongue in cheek artist statement for my work in video format. Enjoy!
I suppose I should talk a little bit about my process. Every artist goes about her or his projects in a different way. Most will sketch whatever comes to mind and come back to it later. For me, I don’t use sketch books. My ideas usually hit me either when I’m out getting some exercise … Read more
I’m finding it challenging to overcome a a certain aspect of painting. I’m not sure about other artists, but backgrounds are my problem. I’m not saying they’re challenging in that they are hard to paint, rather, that I find that I paint them in a way that I’m hesitant to alter them with what is … Read more
I’m always practicing new techniques. This was an attempt at capturing the vision of running water through a forest. The cool thing about practice, is that a piece can turn out horrendous, absolutely beautiful or somewhere in between, but it doesn’t matter. I’ve already professed a love of nature, and have been trying to improve … Read more
As I post this, I have been on a viewing tour of the art museums in Baltimore and Washington DC. Apparently, I was subconsciously impressed by what I saw in the abstract collections. I’ve done several works in the abstract vein as a result; drawing upon the likes of Gauguin, Seurat, Van Gogh and Cézanne … Read more
“Woman at (a) Table” is a work inspired by a photograph I found on Getty Images. I wasn’t looking specifically to paint her, I forget what I was actually looking for, but I fell in love with the image. The problem? I couldn’t find it again. It took two days to locate it using the … Read more
(Click me, I get bigger) “A Place at the Table” was the result of several synergistic forces. My girlfriend and I had been discussing abstract art after visiting galleries in New York and Washington, DC. She suggested that I give it a try. The problem was that I didn’t have a subject. On an unrelated … Read more