Return of the Queen

The painting, titled "Return of the Queen," features a woman facing away, wearing a large blue and black hat with a feather, a blue dress, a pearl necklace, and earrings. The background displays abstract shades of purple and pink. The style is impressionistic with soft brushstrokes.

Set a few years, if not a decade or two, after the filming of Breakfast at Tiffany’s, an odly familiar figure returns in disguise to the scene of filming. Although she hated pastries, it seemed fitting at the time to enjoy one.


I haven’t signed it yet as I may or may not attempt to correct the glaring errors I see.

Castle’s Fall

Nestled in the hills overlooking the sleepy valley, the Sandmen of Castle Dream-guard keep watch on the distance.  For in the far-off mists the armies of the nightmare realm gather for their nefarious purposes.

The castle is modeled on my favorite, Lichtenstein Castle.

Spray Paint and Acrylic on Canvas, 18 x 24.  Unframed. Available for purchase here.

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Harvest Knights

A surreal painting depicts a vibrant, oversized orange moon against a pink and purple sky. In the foreground, a lush landscape with tall, dark trees and dense foliage evokes the Rites of Spring. A small arched bridge crosses a tranquil stream, with mysterious ruins to the right.

“Harvest Knights” Acrylic and Spray Paint on Canvas, 18 x 24. Deep in the night, under the blood moon a pair of knights rush along a deserted road, past ruins of long forgotten folk towards an urgent engagement. At least that’s the idea. The skills never match the concept.

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Rites of Spring

A surreal painting depicts two gnarled trees with twisting, leafless branches against a dramatic gradient sky, reminiscent of the Rites of Spring. The ground is covered in warm-toned, orange-brown grass, with a small patch of vibrant green plants and colorful flowers in the foreground.

Deep in the night as the vernal equinox reaches its apex; while the moon blankets the land in cold light; the sleeping children of Nature stir.  The trees begin the dance of awakening, twisting and undulating in reverent celebration.  Their movement coaxes the Earth Mother to coalescence; like the creation of a galaxy, swirling, spinning, concentrating the forces of life against those of decay. The first buds begin to bloom, a supernova of light their birth cry – Spring has arrived.

That was the thought.  I’m fascinated with the pagan past of humanity, wrapped in rich mysticism which is completely the opposite of the modern fascination with the cold facts of science.  This interest is reflected in this painting.

P.S. There are no people in the painting.

The painting itself is a mix of spray paint and acrylic brushwork.  It is flawed, at least I see the big flaw, but until I figure out how to fix it without destroying the composition, I guess its finished.  The dimensions are 18 x 24. It’s for sale at $200 plus shipping (should be about $20, I’ll pick up anything above that).

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Back to my Roots

A painterly depiction of a serene January night sky with a full moon partly hidden by misty, dreamy clouds. Below, vibrant swirls of green, yellow, and blue tones suggest a lush landscape illuminated in A Light Study fashion, interspersed with delicate white star-like specks.

I usually can’t sleep at night, so I took the pre-dawn hours and cleaned my garage in order to set up a spray paint booth. It’s much more sophisticated than what I was using when I started (and easier on the back). I even did a doodle to test it out. I know it’s not my standard work, but it is a doodle.

My plan is to mix the spray paint and brush techniques I’ve been using over the last several years and bring them to coalescence.

The Murder

A silhouetted, leafless tree with The Murder of five birds perched on its branch stands against a twilight sky that transitions from deep blue to orange. Surrounding foliage and distant terrain are also seen in the fading light.

This one comes straight from depression.  I call it ‘The Murder’, if you know your object quantifiers, you’ll figure it out.  It’s a combination #spray #paint and #acrylic brushwork on #canvas.  It’s also part of my #light series.  I think I’ll probably go back and do some touch-ups. The camera didn’t catch the depth of color; I regret that.

I would have gone with, ‘Crows Observe the Dawn’, but it didn’t have that echo to it. I was painting through a period of things not going my way. Music during the painting process was #Faun – particularly the song “Ero Escuro.”

Use

January; A Light Study

A painting of a bare tree and a vintage streetlamp against a vivid, swirling sky with shades of red, purple, blue, and black. The tree’s branches are twisted and reach towards the streetlamp, which emits a gentle glow. This evocative scene offers an eerie yet beautiful light study reminiscent of January nights.
Okay, I’m leaving this one like it is and starting another. I like the forlorn nature of the #painting. A cold January evening, as the last rays of the light ephemerally touch the clouds, the tree embraces the cold brilliance of the street lamp in hopes of seeing the Sun again. I was going to #paint leaves reacting with the #light, but that’s for another time. It’s spray-paint and #acrylic on #canvas, 18 x 24 and part of a #series of light studies I’m doing.
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Alien Flower

An abstract vision of what an alien flower would look like.  This is an acrylic on canvas painting.  I used air-duster cans, some brush and gravity/splatter techniques in the composition of the artwork.  18 x 24, 2016.

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The view from straight on.

Alien Flower Side

A side-view, which shows the textures used in the piece.

 

First Contact

A vibrant painting depicts a person in a spacesuit with a helmet visor. The figure is lit with red, yellow, and green hues against a dark, starry background with abstract blue and purple patterns, evoking the sense of First Contact in deep space.

‘First Contact’.  I took a better resolution photo than what is probably on my social media sites.  This is 24MP vs. 8MP. It’s #acrylic on #canvas #artwork.  I experimented with #airbrush in the beginning, but don’t have the special #paint (more finely ground than standard acrylics), and so I went back to the brush.  It’s a sign I need a rich patron. The #art is #forsale, along with everything else.  This particular piece of #fineart will set you back $648 plus shipping.

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The Path and the Process

I suppose I should talk a little bit about my process.  Every artist goes about her or his projects in a different way.  Most will sketch whatever comes to mind and come back to it later.  For me, I don’t use sketch books.  My ideas usually hit me either when I’m out getting some exercise … Read more