So I have a show called Christmas in the Woods, in October. I have to create a bunch of holiday themed art before then, so I’m doing that during the weeks between faire.

So I have a show called Christmas in the Woods, in October. I have to create a bunch of holiday themed art before then, so I’m doing that during the weeks between faire.

I’m thinking of putting an art book together, again (God, Rob. Just do it already…), and this is going to be the cover. I think it sums up my art, but “how dare an artist classify his own work”, and “is digital even art?” It’s not hubris, I try to find the soul of any … Read more
Friday night digital art.

A digital painting for our times. The subject can be anyone in modern America, a veteran, someone with PTSD like a victim of sexual assault, someone financially ruined by medical bills or loss of a job, or a victim of mental health issues or addiction. Homelessness is not discriminatory, it can affect anyone with red blood running through their veins. The sad part is that most people will help a dog or cat out in the cold before they help their fellow man, hence the title.
I had to render this three times. Winter is a challenging thing in digital art. My first render I noticed 1.5 hours after starting it, that I forgot the effect of breathing in winter. It was a challenge to create, I ended up using a cloud with a lot of tinkering. 1.5 hours after the second render, I realized by looking at the reflection in his eyes that there needed to be a figure there to add that Je ne sais quoi, so there is an entire part of the scene you don’t see just to get that reflection. Yes, it’s a bit OCD for something that will be seen by maybe 10 people, liked by 2 🙂

During a harsh winter, she’s lost her way. The torch has died, the wind impossible. She comforts her companion, using her mana to create some warmth. Then, off in the forest, she sees someone, a stranger looking at her, wearing clothes unlike she’s ever seen before. Who is this person looking through a portal at her?


There’s a movie reference in this one. John Carpenter made one of the quintessential horror movies in 1982, the Thing, with Kurt ‘Call me Snake’ Russell. In 2011 a prequel was made, starring Mary Elizabeth Winstead (sigh, heart). She survived the movie but we don’t really know if she was infected (aka the thing) or not. The dog that runs out of the Norwegian camp of the 2011 film towards the American camp of the 1982 err sequel is definitely infected. So I was like, “what if she was the alien and met back up with the other aliens at camp?” So, at heart it’s a girl and a dog happily reunited.

For those that are, like, “what’s up with this dude and horror?” I’m working through a thing. It’s called 2020.
The second largest #moon of #jupiter and the third largest moon in the solar system, #callisto is an ancient celestial body. She may contain at least two oceans under her surface. Tidally locked to her #jovian parent, seen in the background (an actual #nasa photograph), Callisto harbors one of the best chances for ancient life. This #artwork captures the moment in the next century that mankind discovers the secrets she harbors. #art #digitalartist #new #dailydoodle #dogs in #space


I do commission work. If you’ve got something in mind, need something big, different from my norm, etc., I will take on the job.
You’ll notice that my art generally is in the 16×20 or 18×24 range. This is due to storage issues. I’ve done two bigger works, each at 30-something by forty-something (below), and have had to store them on my walls since there’s only so much space for keeping these paintings dry and temperature controlled.
This isn’t to say I wouldn’t mind painting bigger canvases, but until I get my studio set up, slated for February 2018, I can only take commissions for bigger work.
Firefly, 2016 (A light-based, 3-D Painting / Sculpture)
So yeah, big canvases are not a problem. I use a formula to calculate the price, basically a base of the canvas size times hours invested, plus materials and the dreaded beast – shipping.
If you are interested in having something painted, by all means contact me. If you have a reference picture that would be super-awesome. We can set up a conference call to discuss the work desired.
Note, my Achilles heel is doing realistic paintings of people. Animals? No problem. Concept or abstract art? Also, no problem. I will do portraits but can’t guarantee they will be spot on. Let’s go to the studio for a reference (below):


Now, granted this was painted two years ago when I was just starting (hopefully I’ve gotten better), but there are things I would do better/different now. Luckily, payment sort of fell through (they broke up), so I don’t feel bad about the work.
So actual portraits are a roll of the dice, enhanced portraits (kind of like Hollywood – based on actual people / events) are doable. Landscapes, flowers, animals, or abstract? The sky is the limit.
If you’re interested in hiring me to do commission work, send me an email using the contact form.